Proud to be an adult and still read comic books?

   As a precursor to Free Comic Book Day tomorrow, I profiled a comic book store manager who has been in the business for 20 years.
   It took me a few minutes to muster up the courage to walk in to the store and ask to take photos and conduct an interview, but the staff and customers were both appreciative and inviting. It took the manager and staff members about an hour to get comfortable with the presence of a camera. To break the ice, I sprawled out on the floor in the middle of the store and began shooting photos. One of the staff members said 'Wow, he's really getting into it!' After that, everybody stopped looking at the camera or moving out of the way and I basically became invisible, which is great as a photojournalist.
   I used a hand-held voice recorder for the interview and Audacity to edit the audio for the slide show.

Portraiture

   The portraiture assignment was very fun, but still not as easy as I thought it was going to be. Tim Carroll was a trooper for taking the time to be the subject for the assignment. We decided to shoot the photos in the newsroom and incorporate the books, notepads and print issues he values most as the editor-in-chief. We agreed that him sitting at a computer would be a little boring, so we got creative and arranged his favorite materials in a circle, so they were in an "orbit" around him.
   The room has bright fluorescent lights, which was a relief. There is, however, a large table in the middle of the room that I had to stand on to get a nice wide-angle shot. Overall, shooting portraits is a bit easier than capturing, say, an action shot in a split-second, but they still take some creativity and focus.

Warriors softball wins one, ties one in the rain against Findlay Oilers

Catcher Emily Bryce flies out to left field in the first game. 

   Sports photography was much harder than I expected. For this assignment I took 312 photos at Wayne State’s softball doubleheader against University Finlay Ohio.  The weather made it challenging for me. With my ISO set at 1600 and my aperture normally at f/4.5 or f/5.3, I was able to set the shutter speed from 1/500 sec. to 1/2500 sec, depending on where I was taking the photo from. There was no sunlight whatsoever. And it rained throughout the day. Now I will always bring a plastic bag to wrap around a camera when it’s supposed to rain.

   For the first game I focused on taking action shots of the players. I tried a different angle and location for every inning. My favorite spot was shooting under the bleachers towards the mound. Although the green chain link fence between me and field was a bit of an obstruction, I enjoyed capturing the umpire, catcher, batter, pitcher and fielders all in one shot. I thank the burst mode, because without it I would have missed the ball several times. So, “Keep your eye on the ball” should pertain to the sports photographers as much as it does to the athletes.

Wayne State head coach Gary Bryce looks on as it rains during the second game
of the University of Findlay double-header on April 3. Due to darkness, the second game was
suspended at a 1-1 tie in the eighth inning. 

   For the second game I focused on the coaches and fans. The Wayne State coaches were calm and collected for both games. There was one dispute between the umpire and the first base coach over a runner called out, which I wish I could have been closer to. The coaches didn’t seem to mind the occasional rain cloud anymore than the players. The fans were scarce and not too animated in the rain.

   I enjoyed shooting from every possible place in the bleachers and around the field, and I made due with the green chain link fence right in front of me. Comparing the photos from the first and second game also was interesting because as it became darker outside, it became more difficult to shoot.

A Wayne State fan applauds after the Warriors win the first game 1-0. 

Lindsay Butler (left) throws a pitch to Megan Turner (right). Butler had seven strikeouts in the first game.

Turner hits a line drive to Butler.Turner had one of Findlay's two hits in the first game.

Michigan senator raises awareness of human trafficking at WSU School of Medicine

Sen. Gary Peters pushes for legislation to provide training to better identify
patients who are victims of human trafficking at the Wayne State School of
Medicine on March 30. Peters said human trafficking is currently the fastest
growing crime. (Photos by Alexander Franzen / The South End)

   Sen. Gary Peters (D-Michigan) urged for legislation “to help health care professionals identify patients who are victims of human trafficking” in a press conference at Wayne State’s School of Medicine on March 30.    Peters said the Trafficking Awareness Training for Health Care Act will provide funding to medical schools “to develop the best practices and research,” and hopes WSU will apply for the grant once the bill is passed.    “I think we would have an outstanding shot here at this university to be that leader, given the fact that we have too many folks in our area that are victims, and we have an outstanding school that has the unique capabilities of making that a reality,” Peters said.

   School of Medicine Interim Dean Jack Sobel said Gov. Rick Snyder’s selection of WSU faculty members Herbert Smitherman Jr. and Dena Nazer to serve on the state’s Human Trafficking Commission indicates the university’s commitment and involvement to the issue.

   “We are in a unique position and have a responsibility to participate in identifying and treating (victims of human trafficking),” Sobel said.

   Angela Aufdemberge, president and CEO of Vista Maria organization, and Patrick Lindsey, WSU vice president of government and community affairs, also spoke at the press conference.

Sen. Peters (left), Jack Sobel (center) and Angela Aufdemberge (right) spoke about the
Trafficking Awareness Training for Health Care Act. "We are in a unique position and
have a responsibility to participate in identifying and treating these individuals," Sobel said. 

Feature: WSU alumnus, Ebola survivor speaks at alma mater

   Wayne State alumnus Dr. Craig Spencer returned to the School of Medicine to discuss the challenges and controversies of West Africa’s Ebola epidemic on Feb. 17.

   In September and October 2014, Spencer, an associate professor of clinical medicine at Columbia University Medical Center, volunteered with Doctors Without Borders and spent six weeks treating Ebola patients in Gueckedou, Guinea. He returned to New York City on Oct. 17, and gained worldwide media attention after he tested positive for Ebola on Oct. 23. Twenty days later he was released from New York City’s Bellevue Hospital after he recovered from the virus.

Wayne State's Center for Peace and Conflict Studies Director Frederic Pearson (left) presents the Global
Peacemaker Award to Dr. Craig Spencer (right) for his volunteer work with Doctors Without
Borders in West Africa. Spencer accepted the award and spoke at the WSU School of Medicine on Feb. 17.
(The South End, Alexander Franzen)

      In his presentation, Spencer took on some of the international and domestic issues related to Ebola. “There is a lot of misinformation that is being spread, which I think has caused problems with stigma and fear,” Spencer said.

   He argued that some of the best U.S. academic medical centers and public health schools have made it nearly impossible for U.S. doctors and medical students to volunteer in West Africa to treat Ebola patients. Spencer said these institutions claim that people like himself—“a post-doctoral fellow of international emergency medicine” who completed a residency in medical school—“aren’t mature enough or don’t have enough training.”

   “A lot of medical centers say ‘it’s not in our job title, it’s not in our description, it’s not what we do,’” Spencer said. WSU geography student Marion Quemener said she did not understand why academic medical centers made these excuses. “The aim of doctors or new students is to cure people,” Quemener said. “If you look at their description, it says that they’re there to help people who are sick, people who need healing, regardless of race, regardless of ability to pay, regardless of all these issues,” Spencer said.

   In West Africa, however, locals without any formal medical education—certainly without medical training—are being taught to treat Ebola patients at Doctors Without Borders clinics. “You’re taking people without a high school education, you’re teaching them through weeks of repetitive training how to put on and take off personal protective equipment and about very basic virus ecology,” Spencer said. He was assigned 30 to 40 Ebola patients a day at the Guinea treatment center, which took in up to 100 patients a day. “We had five doctors when I started, and we had to send two home because they were falling asleep in the middle of rounds,” Spencer continued, “they were working 14 hours a day for six months.”

   Spencer questioned the U.S.’s focus on its domestic Ebola response, rather than its international response. “More money has been spent on building bio-containment and isolation facilities at hospitals in New York and all throughout the country than has likely been spent on the treatment of all the patients in West Africa at Doctors Without Borders facilities combined,” Spencer said. Quemener agreed with Spencer’s argument. “All of these facilities at U.S. hospitals are totally useless,” she said. “The U.S. should put this money in West Africa, where the real problem is.” Doctors Without Borders’ 2014 operating budget to treat Ebola in West Africa was somewhere in the $50 to $60 million range. “I’ve heard that all Michigan hospitals have isolation facilities,” Quemener said. “It’s ridiculous.”

   Spencer also disagreed with New York and New Jersey governors who supported heightened standards to quarantine all U.S. health care workers returning from West Africa in 2014. “They knew that public health experts would disagree with their decision, but decided they wanted broad, tough policy that would calm people’s fears,” he said.

   Matthew Seeger, dean of WSU’s College of Fine, Performing and Communication Arts and co-author of the Center for Disease Control and Prevention’s manual titled “Crisis and Emergency Risk Communication,” agrees Ebola became a very political disease. “All disease and all crises have politics associated with them. It’s always part of the conversation,” Seeger said. “But in this case, we had some politicians who were actively promoting fear of Ebola. And that’s a relatively unique circumstance.”

   Seeger explained the difficulties public health professionals face when making policies in the midst of an outbreak. “There are significant challenges involved in helping the public understand risks and how those risks can be effectively managed,” he said. “Part of the problem is that there is a lot of uncertainty with risks.”

   Spencer concluded his presentation with remarks about his initial reluctance to volunteer in West Africa and why he overcame them. “People say ‘oh, you’re so brave, you’re so courageous, people like you are heroes,’ and I don’t necessarily think that’s true,” Spencer said. “I just think we have a different set point for what we’re willing to do and what we think is irresponsible not to do.”

                                                                                                                                                                                                                                                     

Andrew Awabdeh (left), Nathan Gyani (center) and Hannah Varughese (right) perform in front of
Yousef B. Ghafari Hall on April 3. The Detroit CRU organization hosted the performance.

Don't manipulate that photo: Journalistic laws, ethics and the First Amendment

"Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press, or the right of the people peaceably to assemble, and to petition the government for redress of grievances." First Amendment, U.S. Constitution

                                                                                                                                                                                                                                                      

   If Congress holds up its end of the deal with the First Amendment, we photojournalists shall hold up our end by making ethical decisions when we shoot and publish photos.

   What really jumped out at me in this lesson was how photographers and editors blatantly violate the National Press Photographers Association Code of Ethics. Manipulating photos (aside from cropping and minor contrast adjustments), for an example, is not acceptable. Photojournalism is journalism, not art. Therefore, even slightly altering a photo, say, by removing an unwanted electrical socket on a wall or a Coca-Cola can from a portrait photo, is against our ethics. Nothing is perfect, so why strive for perfection in photojournalism?

   As a professional, I will always ask myself, “What’s more important, publishing a flawless, manipulated photo or maintaining credibility and reputability throughout your career?"

   It was also interesting to learn when and where a photojournalist can shoot. Kenneth Kobré’s excerpt on the Florida Publishing Co. (Times-Union) vs Fletcher case in “Photojournalism: The Professionals’ Approach” explained an exception to the law of trespassing for photos. In this case, the court ruled in favor of Times-Union photographer Bill Cranford, who entered the Fletcher’s house after a fire and took a photo of the spot where 14-year-old Cindy Fletcher’s burned body had left a silhouette scorched on the floor. Her mother was not home at the time of the fire, saw the photo in the next day’s newspaper, and attempted to sue the Times-Union paper. However, Fletcher lost the case because the police and fire marshal gave Cranford permission to enter the home and take photos, and since she was absent at the time, she did not object.

   Although this case may not be morally sound, Cranford did not actually break the law. Along with this example, this lesson provided a complete guide on the First Amendment and journalistic ethics and laws.

Pictures are worth a thousand words, great captions are priceless

   A caption can be the icing on the cake for a great photograph.

  But captions also can damage a photographer’s or a news mediums’s integrity when improperly written. Author Van Jones wrote an article for the Huffington Post about this issue in 2011. In the article he pointed out that in 2005, two different media outlets published similar photos of Hurricane Katrina survivors wading in chest-deep water—with quite dissimilar captions. 

   The Agence France-Presse agency published a photo of two Caucasians wading in the water “after finding bread and soda from a local grocery story.” The Associated Press, however, published a photo of an African-American wading in the water “after looting a grocery store.”

  If you look at both photos, side by side, without reading the captions, you sympathize for whom you see in the photos. But when you glance over the captions, does your compassion still exist for both parties?

   I think Kenneth Irby outlines the key tips for writing photo captions in his piece for Poynter.org. He reminds photojournalists to “check the facts, be accurate and identify the main people.” The two key points that stuck out for me were “avoid making judgments” and “don’t assume.”    

  Captions are without a doubt essential for any news photograph. Readers like to know ‘the who, what, where, when, why and how,’ but, in my opinion, the words you choose for a caption never should be used carelessly. A two-sentence caption can make or break your photo by altering the truth of the event.

When in doubt, I'll check the white balance

Dog lunges at top speed on a crisp winter afternoon.

(ISO: 200, f/4.5, Shutter: 1/400 sec.)

   The first photo demonstrates the blurred action element. I was really going for an excellent stopped action shot, but after taking countless photos for an hour, I had to bring my shivering dog inside and soak my numb fingers in tepid water. 

   It was well below 32 degrees outside, so I had no choice but to work fast. I set my ISO at 200, stepped outside, cursed at the weather and white balanced the snow. Then I lay down on my stomach, used my left forearm as a makeshift monopod and waited for my dog to gallop towards me. For each pass he made I could shoot about two or three photos before he reached point-blank range and try to smash his nose into the camera lens. The blurred action element does capture his strength and speed.

   The second photo demonstrates the shallow depth of field element. The room was very dark, so I set the ISO to 1600. The shutter was at 1/5 sec., so to hold the camera steady I lay on my stomach and used my left forearm as a makeshift monopod.

Cat takes a break to catch his breath after chasing a dog.

(ISO: 1600, f/4.8, Shutter: 1/5 sec.)

   The third photo demonstrates window lighting. It was very sunny when I took the photo. I probably could have had the ISO at 400, maybe even 200.

The Shiffman Medical Library celebrates diversity with an exhibit and lecture series titled "History

of African-Americans at WSU School of Medicine."

(ISO: 1600, f/7.1, 1/160 sec.)

iPhone photos: A glimpse of campus

WSU students gather to protest the recent Chapel Hill, North Carolina shooting. (WSUPJ photos by Alexander Franzen)

The march included members of the Arab Student Union, Amnesty International and the Muslim Students Association.

Amistee Air Duct Cleaning Co. performs maintenance on Wayne State's
residence halls.

   From this assignment I learned that a cell phone camera can be an essential tool for unplanned, sporadic photo shoots.

   I had only heard about the on-campus march to protest the Chapel Hill shootings three hours prior to when it began. I had no time to hop in my car and retrieve my DSLR from home, so I put my faith in my cell phone camera to capture some photos of the protest.

   First, I took photos when the group of students gathered in front of the Undergraduate Library, and then I hurried ahead to get a few shots of them actually walking together. The sun was setting behind the students when they began walking, and in this moment I learned the difficulties that come along with bright, overpowering sunlight. My photos of the students marching came out terrible—they were completely over-exposed.

   I was not only shooting photos of the march for this assignment, but also for backup photos for a news brief for the South End website, in case a photographer couldn’t show up on the scene. Luckily, a photographer with a DSLR was able to make it and took some excellent photos. I did, however, post my cell phone photo on Twitter and within a few minutes, the Fresco News License asked for my permission to use my photo on their platform.

   The photo of the Amistee air duct cleaning trucks was also quite sporadic. I just happened to be walking by when the trucks were parked out in front of Ghafari Hall. I pulled out my cell phone, snapped a quick photo and continued walking to class. Maybe this photo could be published with a future story about residence hall maintenance. Who knows?

   From this assignment, I discovered the importance of thinking like a news photographer when taking photos on the scene or at an event. The Chicago Sun-Times article on iPhone photography basics touched on how writers and photographers use different hemispheres of their brain when at work. To me, this is very true. Now it’s time for me to tap into visual and spatial thinking when taking photos.

Introducing an aspiring journalism hound

   I am a junior majoring in print journalism at Wayne State University. I work as the Deputy Managing Editor for the South End, The university's student newspaper.

   I enjoy writing and editing news articles for The South End and working with student writers to publish online news content.

   I live for creative, truthful journalism. I am forever inspired by the works of legendary journalists and writers, including A.J. Liebling, Truman Capote and Albert Camus.

   Aside from spending my days reading, writing and editing, I also enjoy to romp through wooded trails with my dog Atticus, a black and tan coonhound.

   I aspire to write for the New Yorker, and I'm exhilarated to begin chasing my dream at Wayne State.